top10_2018

2018 was a big year for me personally. In many ways it was the most significant of my life so far. In May I got engaged, and recorded the first full-length album with my band. In October, I got married. Went on my honeymoon. Navigated the first holiday season as a member of a new family. It was wonderful. It was also a lot.

With so many major life events demanding my time, energy, and focus, it’s only natural that the hobby of movie watching and reviewing fell by the wayside, at least somewhat. 2018 was the year in which MoviePass ran out of favor (and money) roughly a year after its historic price drop brought an unprecedented number of subscribers to the service. It was the year FilmStruck left us. So not only was my movie viewing down by sheer numbers, but the avenues by which to explore it were narrowing as well.

All this is to say that I didn’t see as many movies as usual in 2018, and as such I don’t feel that my annual top list is as meaningful is it might have been. I know there’s so much that I missed. And I know, therefore, that this list isn’t likely to turn anyone on to any small movies that flew under their radar. So I can’t help but feel my excitement about this annual effort isn’t what it usually is. That said, I can’t break with tradition; and my discussion of movies is always about what they mean to me and not about any supposed social import or insider clout. So it is without pretense or ego that I offer you the 10 movies I liked most from last year.

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2016.

Just saying it is enough to make some of you cringe.

There’s an ongoing narrative about how awful this year has been, and not just in American politics. I’ve heard more than a few people say that 2016 has been underwhelming for movies, too, and I can certainly see where they are coming from. Personally, I’ve found a great many movies this year to be disappointing. In a lot of cases I was either let down by something I was anticipating, or I didn’t share my peers’ enthusiastic response to films I enjoyed. I found Deadpool, Jackie, Zootopia, and The Magnificent Seven to be uninspiring at best. Two of my favorite up-and-coming directors (Jeff Nichols and Denis Villeneuve) released three films between them and none was particularly strong. And even though I liked Arrival, Rogue One, Sing Street, Hell or High Water, The Wailing and others, I wouldn’t say any of them were better than pretty good. So in some sense my experience fits the concept of a weak year.

However, we live in a time when the media harvest is nothing if not plentiful. There are so many movies being made by so many people that you’re bound to find the good ones if you look long enough. While I merely scratched the surface of all the films released this year, that was enough to reveal gold amidst the dross. This year saw new films by Martin Scorsese, Steven Spielberg, the Coen Brothers, Nicolas Winding Refn, Paul Verhoeven, Shane Black, Clint Eastwood, John Carney, Richard Linklater, Whit Stillman, and Pixar. We had exciting debuts from Robert Eggers, Kelly Fremon Craig, Dan Tractenberg, and the Daniels; and auspicious new features from such talents as Jeremy Saulnier, Damien Chazelle, and Fede Alvarez.

It’s not every year you witness a masterpiece, but my number 1 film of 2016 is just that. So let’s get there, shall we? Here are my 15 favorites from 2016:

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Dying of the Light (2014)
Director: Paul Schrader
Starring: Nicholas Cage, Anton Yelchin, Alexander Karim
Running Time: 1 hr, 34 mins
Rated: R


Review by Daniel Stidham

Early in Dying of the Light, the camera zooms in on a man’s hand which then begins to tremble uncontrollably. The hand belongs to Nicolas Cage, and this shot is the first best hope we have that the film we’re watching will be worthwhile. Though Cage has a notoriously uneven track record, many of his highest highs involve him playing disturbed, afflicted, or deeply neurotic characters. Leading Man Cage, National Treasure Cage, is fine as far as he goes; but what you really want is Matchstick Men Cage, Bad Lieutenant Cage. You want the guy who has unpredictable freak-outs, manic ticks and ridiculous hair. Sometimes it’s a thin line that separates “I want to take his face…off!” from “No, not the bees,” but we’re willing to take that risk because when it works it pays off big time; and for at least a few minutes of Dying of the Light, it looks as though we’re about to be treated to the next entry in the “Nicolas Cage Losing His Shit” canon.

Read the full review on CutPrintFilm.com